Music of Turkmenistan

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The music of the nomadic and rural Turkmen people is closely related to Kyrgyz and Kazakh folk forms. Important musical traditions in Turkmen music include traveling singers and shamans called bakshy, who act as healers and magicians and sing either a cappella or with instruments such as the two-stringed lute called dutar.

Turkmenistan's national poet is Magtumguly Pyragy, from the 18th century, who wrote four-line goshuk lyrics. The Central Asian classical music tradition mugam is also present in Turkmenistan by name as the mukamlar [1].

National anthem[edit]

As a Soviet Republic, Turkmenistan's national anthem was "Turkmenistan", composed by Veli Mukhatov with words by Aman Kekilov. In 1997 (well after independence), the anthem was changed to the "National anthem of Independent, Neutral, Turkmenistan", the music and lyrics of which were written by President-for-Life Saparmurat Niyazov.

Dutar[edit]

The dutar is the most representative instrument of Turkmen folk music. It is used in many styles, ranging from the mukamlar and saltıklar to the kirklar and navoi. These are performed by professional musicians called sazanda.

Tuiduk[edit]

Tuiduk is a wind instrument (similar to Zurna). In Turkmen folklore, an ancestral belief posits that Adam, crafted from clay, lacked a soul until the harmonious tunes of the tuiduk, played by Archangel Gabriel, breathed life into him. A Turkmen legend attributes the invention of the tuiduk to the devil. Preserving ancient traditions, a ceremonial ritual invites guests to celebrations, where two tuiduk players face each other, elevating their instruments and harmoniously playing in unison. While doing this they perform magic circular movements which remind that this ritual used to be linked to shamanism.

Dili tuiduk[edit]

The Dili tuiduk is a Turkmen woodwind instrument. It is a clarinet-like, single-reed instrument used mainly in Turkmen folk music. The instrument's range is greater than its six finger holes would suggest, the upper registers being attained by breath control. Dili tuiduk of the Turkmen can be carved in a couple of minutes by a shepherd in the springtime, when reeds grow tall, but a set of brass instruments for a police band needs an investment of money and time to arrive in town.

Gargy tuiduk[edit]

Gargy-tuyduk this is a long reed flute whose origin, according to legend, is connected with Alexander of Macedonia, and a similar instrument existed in ancient Egypt. Gargy means in the Turkmen language "reed".

Bakshy[edit]

Bakshy were formerly the most important musicians in Turkmen society, along with tuidukists. They played the dutar to celebrate weddings, births, and other events.

Mugam[edit]

Mugam is a pan-Central Asian style of classical music, performed in Turkmenistan by a dutarist and gidjakist, or by an ensemble of just dutarists [2].

References[edit]

  • Broughton, Simon and Sultanova, Razia. "Bards of the Golden Road". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 24–31. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0

External links[edit]